John Bender, if and when they let you out of prison…” Claire’s gonna drive a Suburban and be a housewife. The scene, however, was one of many cut before the film’s release in theaters.” The actor later recalled, “I told Brian that he’s gonna be a big stockbroker, die of a heart attack at age 35. He’d know, after all.Īs Reuters reported, Kapelos “performed a rant during filming in which he tells all the teenagers what they’ll be doing in the year 2000.
In Susannah Gora’s 2010 book, “You Couldn’t Ignore Me If You Tried: The Brat Pack, John Hughes and Their Impact on a Generation,” it was the former Man of the Year himself who was set to lay out not just what happens on Monday, but long after that. Initially, “The Breakfast Club” was going to offer another window into the future for its central group, one even more depressing and honest. Ten minutes later, the film will present a much rosier ending, a path to a future that doesn’t really exist, even after its biggest revelation. It’s a dark conclusion, especially after a day’s worth of bonding between the group, but it’s the truth. It’s Claire who answers it best: They’re not going to be friends - at least, not in public, not where it counts. While the film ostensibly ends in strictly Pollyanna-ish territory - Claire and Bender are loved-up, just like Allison and Andrew, while Brian basks in the joy of having four new friends, and everyone wanders home with detention completed - Hughes has already forecast what’s really going to happen next. Which is what makes the tear-soaked final act standoff so wrenching. In their little library quarantine, the five characters come to see each other, to maybe even love each other. No one gets off easy, but that’s the point: In order to respect and care for each other, they have to chip away at all the boundaries and expectations that have kept them apart. Hughes’ film, which he also wrote, finds space for the best and the worst of each of his characters, from popular kids like Claire (Molly Ringwald) and Andrew (Emilio Estevez) to the geeky Brian (Anthony Michael Hall), even the weirdos and burnouts like Bender (Judd Nelson) and Allison (Ally Sheedy). It’s a good lesson for anyone, but an especially stirring one for teenagers trapped by their rigid cliques, familial demands, and evolving aspirations.
On the surface, “The Breakfast Club” is a self-contained feature about what happens when people are finally able to look outside their own bubbles and embrace the people on the other side.
Hughes never added in a traditional epilogue to his dramedy, which finds five very different teens temporarily trapped together during a Saturday detention session, but the possibilities (and probabilities) of what’s to come are obvious. Oscars 2022: Best Original Score Predictions Oscars 2022: Best Supporting Actress Predictions Prime Video Price Hike: Now $139 a Year After Massive Growth Fueled by NFL Livestreams
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New Movies: Release Calendar for February 18, Plus Where to Watch the Latest Films Instead, he’s pushing a garbage can around an empty Chicagoland high school, as a master of the “custodial arts” who now literally picks up the trash of kids who would have worshiped him a decade earlier. It happens so early, and when we do meet Carl Reed (John Kapelos), he’s hardly doing the usual Man of the Year stuff. As the camera pans through the halls of the fictional Sherman High School, it briefly focuses on a plaque adorned with the names and pictures of various “Men of the Year.” Smack in the middle, and sporting a winning smile: Carl Reed.Īudiences would be forgiven if they miss the Easter egg the first time around (luckily, like many Hughes films, “ The Breakfast Club” is perfect for repeat viewings). Tucked into the opening credits of John Hughes’ beloved 1985 teen classic, there’s a hint about what’s to come for its five central characters (the brain, the athlete, the basket case, the princess, and the criminal).
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